Discovery Bay Rhododendrons: More Progress on the Background

 I've been working on my Rhododendron painting on the side since last November 27th. I'm keeping track of my time, and I shudder to think how many hours I will rack up on this painting. Instead of working in watercolor, as I had originally planned, I decided to render the flowers in Prismacolor pencils, then use a colored pencil blender to add the "wet" effect. I'm quite pleased with the results in using the blender for the first time, but I learned that the tip of the blender doesn't last long. I begins to break down fairly quickly, which makes is more difficult to be precise in your blending. I will go through three or four blenders before I'm finished with the painting. For tips on how to use colored pencil blenders, see the post below.

The finished painting will be posted on my Painting in Paradise web site. Our next workshop is scheduled to depart this coming March 30, 2014. Details at the web site: www.PaintingInParadise.net

Have you seen my other blog, The Trowbridge Chronicles? trowbridgechronicles.blogspot.com

Discovery Bay Rhododendron Progress - Colored Pencil Blender Tips

Here's the latest update on my Discovery Bay Rhododendron painting. Since my last post I've filled in considerably more background on the right side. I will continue filling in background information in a counter-clockwise direction until the painting is finished. Then there will be a little visual surprise at the end of the painting. 

COLORED PENCIL BLENDING TIPS

Have you worked with a colored pencil blender before? Here are some tips that will help you get the most from using a colored pencil blender to enhance your colored pencil work.

1) When you've been blending in a dark area, like the dark background behind the flowers above, roll and dap the point on a tissue thoroughly before you move into a light-colored area, like the white petals above. The point of the blender will pick up the dark color and transport some of it into the light area, and "stain" it with the darker color. When you're blending an area of dark and light hues, blend the light color area first, then move into the dark area. 

2) The tip of the blender doesn't hold its point very long. After  blending for a while, you'll find that the tip has crumbled slightly. You will then have to be careful when blending in tight areas. If you're not careful when blending in a tight dark and light area, the dark color on the tip can stain the light area. Once the area is stained, it's not easy to remove. You can scrape it with an exacto knife, but in doing so you can easily damage the surface of the paper. This is the big advantage that Photoshop has over traditional painting. I must admit that I've been spoiled by Photoshop. 

3) To get the feel of how the blender works, you may want to experiment on a separate piece of colored pencil art that you don't mind practicing on. The above painting was my first experience with the blender, but I just dove in and got the feel of the blender through the course of the painting.

4) As you apply the blender to your colored pencil, you'll find that it makes your "dry" colored pencil strokes look wet, like watercolors. Yet the colored pencil strokes will still be somewhat visible. The blender also fills in the tiny white specks that occur when you don't thoroughly cover the paper with the colored pencil. You may prefer to practice using the tool before starting your painting to get the feel of applying the blender solution in different strokes, like long and smooth, or tight circles.

5) The blender I used is called: Artist's Loft Colored Pencil Blender. I bought it at Michael's Arts and Crafts, an art and craft chain store. The blender has a large tip on one side, a small tip on the other. To give you an idea of how long the blender lasts, I will go through three or four blenders to complete the above painting, which is 8.5 x 11 inches.

Check out my Painting in Paradise web site for the date of our next workshop. On the "Package Info" page you'll find the departure date for the fantasy South Pacific island of Rarotonga. In the course of the workshop I will teach you how to paint flowers in the realistic technique that you see above. www.PaintingInParadise.net

Have you seen my other blog, The Trowbridge Chronicles? 

Discovery Bay Rhododendron, Progress

This Rhododendron flower that I found growing on a wild Rhododendron bush along Highway 101 just west of Discovery Bay in Washington State, USA has been my early morning-late night project over the last ten days. It will probably require at least ten more days to finish it, depending on how much time I can set aside to work on it. 

The top flower portion of the painting is now complete. I have enjoyed working on this project because I'm using a technique that I was not previously aware of. In preparing for this painting I discovered the blending brush. This unique brush contains a chemical that dissolves the wax in the colored pencil, giving it a "wet" appearance. 

Though I teach watercolor in my Painting in Paradise workshop, I wanted to try the colored pencil technique with the blending tool and see how it works. Now that I'm familiar with it, I might even incorporate the blended colored pencil technique into my workshop. If people would rather apply color in a dry media, they would have that choice. It would make things much simpler when you're working away from your studio as we do in the Cook Islands. Plus, it think it's easier for most people to control a dry media than watercolor.

I'm still looking forward to moving into the dark background portion of the painting. At that point the flower will begin to stand out. With no low-key background color, the high-key flower colors are still suffering from a lack of contrast. 

Check back soon. The next thing you'll see will be a finished rhodie in the lower right, which is still in pencil. Then I will begin work on the background.

Have you seen my other blog? It's called The Trowbridge Chronicles.  

Discovery Bay Rhododendron Painting Progress

I'm making slow and steady progress on my Discovery Bay Rhododendron painting. Realistic studio paintings require a lot of patience since the progress moves so slowly. This is actually a colored pencil drawing that I'm "wetting" to make it look like a watercolor painting. This is my first attempt at this technique. I've found that it works very well, and allows for more mobility since colored pencils are much more transportable than watercolors or oil paint.

The wet technique is achieved by using a colored pencil blender. It's a two-ended brush containing a solution that dissolves the wax in the pencil, giving it a "wet" appearance.

There still is a lack of contrast in the painting since the white flower petals are all high key, making them disappear into the background. That will all suddenly change when I start applying the dark background colors.

The above painting will be posted on my Painting in Paradise web site. If you would like to learn how to paint flowers in a realistic fashion, my next watercolor workshop on the exotic South Sea Island of Rarotonga begins on March 30, 2014. There's more info here: www.PaintingInParadise.net