Just Another Day at the Office

Yesterday the weather was good so I decided to use my motorcycle to "get to work". My office yesterday: Starbucks in Orting, a small town in the foothills of the Washington Cascade Mountains (USA). There I got my comic panels penciled and inked and ready for the syndicate. Plus some revisions on my Turtle Farm Theme Park cartoon map in the Cayman Islands.

My work finished, I decided to ride up through the South Prairie Valley, then stop along the way to get my daily exercise. I walked along the Carbon River, with its headwaters on the slopes of Mount Rainier in Washington State.

I found this beautiful fern glade along the bank of the river...

...and this beautiful spray of sword ferns growing up against a mossy boulder nearby.

Then I exited Hwy 162 and followed South Prairie Carbon River Road, which is where I found this pastoral scene with the sun low on the western horizon. This late afternoon ride helped make it an exceptionally good workday yesterday.

Good Times at Carson Elementary

Isaiah won my Squiggle Game, so he got to come up front and make a squiggle on my drawing pad. The squiggle he made is the outline of the insect creature in the lower right corner of the pad. The object of the game is for me to turn the student's squiggle into something recognizable, then create a scene around it.

Thanks to Debbie Bair, AKA "Mama Bear", for sending this picture of me with her daughter.

One of my favorite parts of the program: autographing my books and posters.

Toad Warrior poster

Skagway is a toad character that I have used in my school programs for many years. The students have always enjoyed my quick-draw Skagway drawings. I finally decided to introduce Skagway to my blog audience in poster form. Actually, this Skagway image was one of the first images that I posted on this blog. I thought I would reintroduce him to those who weren't around when I first started the blog. You can see in the side panel to the right that Skagway is available on Zazzle as a t-shirt, as well as other Skagway products.

Have you seen my other blog, The Trowbridge Chronicles. 

Last Week's Read Across America Program

Last Thursday I was honored to be the featured guest for the Read Across America Program at Fruitland Elementary School in Puyallup, Washington. The students just finished their monster drawing that I demonstrated for them from my Monster Safari How-to-Draw Book. They wanted to hold their drawings up to show me... so I grabbed my camera, just in the nick of time. It was a fun and memorable day. I will have more Monster Safari Programs through the Spring semester and next school year. 

I would be happy to answer your questions regarding bringing my Monster Safari and/or Read Across America Program to your school: http://bronsmith.com/schoolprograms.htm

Bumble Bee Pollinating Discovery Bay Rhododendron

I've been working on this painting on and off since November 27, 2013. The biggest challenge in  painting in a realistic style is the time commitment. Realistic paintings progress very slowly. 

I used Prisma Color pencils with a colored pencil blender pen to give the painting a "wet" look. I saved the best for last...yesterday I painted in the bumble bee in the middle of the rhodie bloom. That was the cherry on top of the whip cream. 

I draw and paint so much for public consumption and almost not at all for decorating the walls of our house. So this will be framed and will hang in our family room. The actual purpose of the painting is to enhance my Painting in Paradise web site. 

My Painting in Paradise workshops allow people the opportunity to travel to an exotic South Pacific destination, the island of Rarotonga in the Cook Islands. There I teach participants how to paint exotic tropical flowers in a realistic style. It is truly a painter's paradise holiday. You can get more details in the link in the above paragraph.

Have you seen my other blog, The Trowbridge Chronicles? 

Cayman Islands Water Bottles

I got a surprise in the mail yesterday. My cartoon map associate in the Caymen Islands sent me these Cayman Islands cartoon map water bottles. It's one of the ancillary products that he has spun off of my Cayman Islands Cartoon Map.  He has also produced giant Cayman Islands Cartoon Map beach towels. I put the water bottles on the book shelf along with my new Monster Safari How-to-Draw Book. Thanks, Paul!

Discovery Bay Rhododendrons: More Progress on the Background

 I've been working on my Rhododendron painting on the side since last November 27th. I'm keeping track of my time, and I shudder to think how many hours I will rack up on this painting. Instead of working in watercolor, as I had originally planned, I decided to render the flowers in Prismacolor pencils, then use a colored pencil blender to add the "wet" effect. I'm quite pleased with the results in using the blender for the first time, but I learned that the tip of the blender doesn't last long. I begins to break down fairly quickly, which makes is more difficult to be precise in your blending. I will go through three or four blenders before I'm finished with the painting. For tips on how to use colored pencil blenders, see the post below.

The finished painting will be posted on my Painting in Paradise web site. Our next workshop is scheduled to depart this coming March 30, 2014. Details at the web site: www.PaintingInParadise.net

Have you seen my other blog, The Trowbridge Chronicles? trowbridgechronicles.blogspot.com

Discovery Bay Rhododendron Progress - Colored Pencil Blender Tips

Here's the latest update on my Discovery Bay Rhododendron painting. Since my last post I've filled in considerably more background on the right side. I will continue filling in background information in a counter-clockwise direction until the painting is finished. Then there will be a little visual surprise at the end of the painting. 

COLORED PENCIL BLENDING TIPS

Have you worked with a colored pencil blender before? Here are some tips that will help you get the most from using a colored pencil blender to enhance your colored pencil work.

1) When you've been blending in a dark area, like the dark background behind the flowers above, roll and dap the point on a tissue thoroughly before you move into a light-colored area, like the white petals above. The point of the blender will pick up the dark color and transport some of it into the light area, and "stain" it with the darker color. When you're blending an area of dark and light hues, blend the light color area first, then move into the dark area. 

2) The tip of the blender doesn't hold its point very long. After  blending for a while, you'll find that the tip has crumbled slightly. You will then have to be careful when blending in tight areas. If you're not careful when blending in a tight dark and light area, the dark color on the tip can stain the light area. Once the area is stained, it's not easy to remove. You can scrape it with an exacto knife, but in doing so you can easily damage the surface of the paper. This is the big advantage that Photoshop has over traditional painting. I must admit that I've been spoiled by Photoshop. 

3) To get the feel of how the blender works, you may want to experiment on a separate piece of colored pencil art that you don't mind practicing on. The above painting was my first experience with the blender, but I just dove in and got the feel of the blender through the course of the painting.

4) As you apply the blender to your colored pencil, you'll find that it makes your "dry" colored pencil strokes look wet, like watercolors. Yet the colored pencil strokes will still be somewhat visible. The blender also fills in the tiny white specks that occur when you don't thoroughly cover the paper with the colored pencil. You may prefer to practice using the tool before starting your painting to get the feel of applying the blender solution in different strokes, like long and smooth, or tight circles.

5) The blender I used is called: Artist's Loft Colored Pencil Blender. I bought it at Michael's Arts and Crafts, an art and craft chain store. The blender has a large tip on one side, a small tip on the other. To give you an idea of how long the blender lasts, I will go through three or four blenders to complete the above painting, which is 8.5 x 11 inches.

Check out my Painting in Paradise web site for the date of our next workshop. On the "Package Info" page you'll find the departure date for the fantasy South Pacific island of Rarotonga. In the course of the workshop I will teach you how to paint flowers in the realistic technique that you see above. www.PaintingInParadise.net

Have you seen my other blog, The Trowbridge Chronicles? 

Discovery Bay Rhododendrons Painting Progress - Lower Background Finished

My Discovery Bay Rhododendron painting is slowly coming together. I started the painting on November 25, 2013. I wish I could move more quickly through the painting, but it's one of many projects that I'm dealing with. Plus, painting in a realistic technique is painfully slow. This is my early morning-late night project. The lower background portion and the foreground rhodie on the lower right is now complete.

I found this rhododendron along Highway 101, just west of Discovery Bay, in Washington State, USA. There was something special about this flower that you can't see yet. It will be revealed at the very end of the painting. 

I normally teach painting in a watercolor technique. But I decided to try something different with this painting and render it in Prismacolor Pencils using a colored pencil blender, which gives the wax pencil more of a watercolor appearance.

I'm still a bit unsure about how I will handle the background in the upper portion of the painting. Will I fill it with detail as I have in the lower portion of the painting? Or use more dark areas with less detail, so the flowers stand out more? I will be addressing that issue soon.

Have you seen my other blog, The Trowbridge Chronicles? 

Discovery Bay Rhododendron Progress

I'm still plodding away on my Discovery Bay Rhodie painting. I try to put in an hour early each morning on the painting before I start on my regular projects. I'm painting this to add more floral images to my Painting in Paradise web site. This is the painting style that I teach in my Painting in Paradise workshops.

It may seem difficult to you to paint anything in a realistic style, but in my workshop I break it down into easy, understandable steps so that you can get results like what you see on my web site. If you don't you could do this, just check out the "workshop" page on my web site. The two paintings that you see by Alice were her first realistic paintings. Karen's pink flower was her very first attempt at painting. I was very proud of her.

Regarding the above painting, I decided to depart from the usual realistic watercolor technique and experiment with a Prisma Color Pencil technique, using a colored pencil blender to "seal" the colors. This gives the image a watercolor-like appearance. Now that the petals and leaves are finished, I will  be working on the dark background. I'm looking forward to this phase of the painting because the flowers will finally begin to "pop", and gain contrast with the dark background behind them.

You'll find more information on my workshops here at my Painting in Paradise web site.

Yaro Starak: Living "The Laptop Lifestyle"

Yaro Starak has an enviable lifestyle. His primary workplace is coffee shops in his native Australia. 

I can identify with his "laptop lifestyle" because I, too, am part of that small band of people who don't have to report to work somewhere. Most of my writing and illustrating is done in coffee shops. The above Yaro caricature was drawn in a coffee shop in  Puyallup, Washington, USA. 

I might add that some people are very easy to caricature...Yaro Starak doesn't fall into that category. He's a very difficult subject to caricature because he doesn't have many outstanding features that lend themselves to capturing a likeness. 

I have been a faithful follower of Yaro Starak for many years. I never miss his blog posts. He is one of the "white hats", one of the good guys in the Internet marketing business. You can sense his integrity in his writing. 

Yaro's career began during his college years at the University of Queensland when he set up some hobby sites for the popular trading card game, The Gathering. His work on The Gathering gave him the foundation of technical expertise and online marketing knowledge that he needed to begin building his Internet marketing career. 

After selling his most popular Gathering site, he created BetterEdit, an online proofreading and editing service.  Several years of success followed in his BetterEdit business. Then, one day he installed a blog on the website to improve its SEO. That first blog was the spark which ignited his career and led to creating his popular Entrepreneur's Jouney blog in 2005. He has been at it ever since, making a pile of money along the way. Not a bad gig. 

If you want to take a closer look at making money at blogging, Yaro Starak is a great place to start. At his web site, http://www.entrepreneurs-journey.com/, check out his Blog Profits Blueprint and The Membership Site Masterplan. It could be the best decision you ever made.

Check out my other blog: The Trowbridge Chronicles here. 

Joanna Penn: Indie Writer Luminary

STARS Of the NET - I first discovered Joanna Penn while perusing on Twitter a few weeks ago and I have since found her to be a prime source of inspiration, and a wealth of information...flavored by a crisp English accent. It's the first thing you notice when you listen to her podcast.

She launched her writing career in 2009 by joining National Novel Writing Month (NaNoWriMo). Since then she has been writing books and garnering accolades at a dizzying pace. This year she was voted one of the Top 100 Creative Professionals of 2013 by The Guardian.

Since her writing debut she has penned six novels: Pentecost, Prophecy, Exodus, One Day in Budapest, and her most recent book, Desecration.

Her prolific career and her fan base has been largely fueled by the strength and longevity of her engaging podcast, which she launched in March of 2009. At this writing she has posted 172 podcast episodes, most of which feature luminaries in the field of indie writing, marketing and Internet entrepreneurship.

If you want to learn more about the burgeoning field of indie writing, you'll benefit greatly from Joanna's podcasts, and her Author 2.0 Blueprint book, which will take you step-by-step through the process of writing and marketing your book.

To learn more about Joanna Penn, or book her for a speaking engagement, go to her web site: www.thecreativepenn.com.

Discovery Bay Rhododendron, Progress

This Rhododendron flower that I found growing on a wild Rhododendron bush along Highway 101 just west of Discovery Bay in Washington State, USA has been my early morning-late night project over the last ten days. It will probably require at least ten more days to finish it, depending on how much time I can set aside to work on it. 

The top flower portion of the painting is now complete. I have enjoyed working on this project because I'm using a technique that I was not previously aware of. In preparing for this painting I discovered the blending brush. This unique brush contains a chemical that dissolves the wax in the colored pencil, giving it a "wet" appearance. 

Though I teach watercolor in my Painting in Paradise workshop, I wanted to try the colored pencil technique with the blending tool and see how it works. Now that I'm familiar with it, I might even incorporate the blended colored pencil technique into my workshop. If people would rather apply color in a dry media, they would have that choice. It would make things much simpler when you're working away from your studio as we do in the Cook Islands. Plus, it think it's easier for most people to control a dry media than watercolor.

I'm still looking forward to moving into the dark background portion of the painting. At that point the flower will begin to stand out. With no low-key background color, the high-key flower colors are still suffering from a lack of contrast. 

Check back soon. The next thing you'll see will be a finished rhodie in the lower right, which is still in pencil. Then I will begin work on the background.

Have you seen my other blog? It's called The Trowbridge Chronicles.  

Discovery Bay Rhododendron Painting Progress

I'm making slow and steady progress on my Discovery Bay Rhododendron painting. Realistic studio paintings require a lot of patience since the progress moves so slowly. This is actually a colored pencil drawing that I'm "wetting" to make it look like a watercolor painting. This is my first attempt at this technique. I've found that it works very well, and allows for more mobility since colored pencils are much more transportable than watercolors or oil paint.

The wet technique is achieved by using a colored pencil blender. It's a two-ended brush containing a solution that dissolves the wax in the pencil, giving it a "wet" appearance.

There still is a lack of contrast in the painting since the white flower petals are all high key, making them disappear into the background. That will all suddenly change when I start applying the dark background colors.

The above painting will be posted on my Painting in Paradise web site. If you would like to learn how to paint flowers in a realistic fashion, my next watercolor workshop on the exotic South Sea Island of Rarotonga begins on March 30, 2014. There's more info here: www.PaintingInParadise.net

Discovery Bay Rhododendron Painting...Beginning the Color Application.

I've begun to add the color to my Discovery Bay Rhododendron colored pencil painting. To some extent it's not ready for the public to see yet because at this stage of the painting the colors of the flower are so high-key that there's very little contrast between the flowers and the background. The contrast will dramatically change the painting as I add in the dark background information.  

If you like to get out of your studio and paint, I've found colored pencils to be just the ticket. You can go wherever you want and create a painting. In the next post I'll tell you what I do to make it look more like a watercolor painting than a colored pencil drawing. Colored pencils are much more mobile then watercolors or oils. I've colored part of this at Starbucks, as well as in my home studio. 

The next posting will show the entire flower and perhaps part of the leaves. Then the fun part, watching the painting begin to "pop" as I add in the background. 

Have you seen my other blog, The Trowbridge Chronicles. It's popularity had really increased recently. 

Discovery Bay Rhododendron

This past spring while traveling along Highway 101 just west of Discovery Bay, Washington, I stopped to photograph the wild rhododendrons growing in abundance along the highway. I wanted to use them as reference for a future rhododendron painting. I have just begun a painting of one of my favorite rhodies among all the photos that I took that day. Above is the initial pencil layout.

It was hard to decide which media to use. I'm always tempted to do my flower paintings in Photoshop, with my Wacom Cintiq because it's so quick and easy. But the problem with painting in Photoshop is that there is no original art to display, and I wanted this painting to hang on our wall. Hanging a color copy as opposed to the original just isn't the same. I also like working on the move, and watercolors don't lend themselves to working at Starbucks. So I chose blended colored pencils. Check back soon to see my progress. The next post will show the image partially painted in.

If you'd like to see some of my finished flower paintings, this is my flower web site, Painting in Paradise. If you'd like to join us in our next flower painting expedition, there are details on the web site. The location is the exotic island of Rarotonga, located in the South Pacific Ocean.

How to Get Your Own Syndicated Comic Strip

One common trait among syndicated cartoonists would certainly be "grit"...not just ordinary grit, but True Grit. You have to have that rare kind of grit to stick it out until you break into that small, select group that syndicates refer to as "creators". We're the ones who create the content for syndicated features: comic panels, comic strips, political cartoons and newspaper columns.

I knew going in that I would stand a better chance of becoming an NFL quarterback (and I'm not very athletic) than to join the ranks of comic strip cartoonists. But that was my childhood dream. And I knew that if I didn't try...and keep trying...I could be assured that my dream would never come true. My dream was also the dream of thousands of other young hopefuls around the world. I knew the odds were long when a syndicate employee told me once that they receive up to 7000 submissions for comic strips per year...and they sign only one or two. And of those one or two, neither one may survive. Many newly syndicated features are promptly cancelled when the sales team discovers that they can't sell the new strip.

So how do you break into the syndicated comic strip business? Unfortunately, there's no easy answer to that question, but I think the best answer is that you must have the iron will to stick with it and never give up. That's how I did it. It took me decades of submitting features, only to have them rejected. One editor told me that my proposed feature, called Obrien's Beat, was the worst proposal that he'd ever seen. Yet every now and then I would get an encouraging personal note from an editor. One prominent editor at one of the big syndicates told me that my proposed panel was "the strongest panel that I've seen in six months, but I don't think we can sell it."

That encouraging personal comment gave me the courage to dust myself off and start again. Starting again means that the syndicates want to see three weeks of solid panels or strips. They want to see if you can sustain your feature over the long haul.

For my next attempt, I decided to go around the syndicates and self-syndicate a feature. Since I've studied health and nutrition for many years, I decided to make it a health-related panel. So I created a batch of sample panels, and began faxing them to newspaper editors. My goal was to contact an editor each day, and play the numbers. It worked. I slowly began to gather a small group of newspapers who carried my weekly feature, some of which are with me to this day.

I found my target market to be small-town weeklies. I started in my own state of Washington, contacting every editor of every newspaper in my state by phone, then following up with a fax sample of my feature.

After building up a small following of newspapers over a period of a year and a half, I felt like I would have nothing to lose if I sent some fax samples of my fledgling panel off to the syndicates. One of those syndicates was United Features. The editor was Amy Lago. That same day I got a fax from Amy. Her words are forever burned onto the back wall of my memory. She said: "Your timing is dang good. Could you send 12 more samples?"

I fired off 12 more samples to her, and three weeks later I was signing a contract with United Features Syndicate. It was one of the greatest days of my career, the dream of a lifetime. I couldn't believe it had happened to me.

The above image is the panel that I faxed to Amy Lago that day in 2002. My self-syndicated weekly feature was called To Your Health. My daily feature with United Features Syndicate, Health Capsules, was originally drawn by Jud Hurd, and written by Dr. Michael Petti. Because I had a background in health and nutrition, the syndicate allowed me to write and draw the feature.

Since the day that I signed on with United Features, now Universal UClick Syndicate, I have written and drawn 3582 daily Health Capsules. I get mail from around the world, from readers across India, who read my feature in The Times of India, to Lima Peru, to the tiny far-flung island of Mauritius, in the middle of the Indian Ocean.

What amazes me most, after writing and drawing Health Capsules for so many years, is that I never tire of the routine. I always look forward to creating my batch of six panels every week. I try to write it on Friday, and draw it on Saturday. I'm required to stay at least six weeks ahead. At this writing I am just moving into 2014. My next batch will appear during the week of  New Years, 2014.

In conclusion, my advice is: In order to get syndicated, you'll have to have a good idea that a syndicate can sell, and above all, you'll have to have the grit to cling to your dream, to take the repeated rejections and refuse to give up, until that day when the odds finally fall in your favor. And when you get that big break, like I did, it will be worth all the blood and sweat. It happened to me...it can happen to you.

Health Capsules is syndicated by Universal UClick syndicate in newspapers around the world as well as in GoComics: http://www.gocomics.com/healthcapsules#.UoxfosSkruo

Health Capsules can also be found on Facebook: www.facebook.com/HealthCapsules

My Illustration Planning Process

The above illustration is the header art for my Facebook fan page. In this post I thought I would show you part of my planning process for an illustration. I have a rather unorthodox manner of working out an illustration. I tend to make things up as a go along. Any thought that comes to me, I pencil it out in the side panel for consideration.

All of the notations that you see around the final ink line drawing demonstrate that process. You can see that my inked title lettering on the right side ended up on the cutting room floor, along with most of the other notations above and below the illustration.

After I was satisfied with the contents of the illustration, I scanned it and painted it in Photoshop using my Wacom Cintiq. I'm so glad that early on, even before art school, I worked at teaching myself how to paint. I've done more than my share of simple line and wash art, but it's so much more fun to paint, with or without the support of an ink line.

Have you seen my other blog, The Trowbridge Chronicles?

Earthing Odyssey

Have you heard of "earthing", or "grounding" yet? If you follow health trends like I do (I write and illustrate a syndicated newspaper column called Health Capsules), you may have already heard of this new phenomenon that's not really new. Earthing has been a natural part of human behavior for many centuries, yet it has been rediscovered and practiced in recent years for its numerous health benefits.

Because it was such a beautiful fall day in the Pacific Northwest today, I decided to ride my motorcycle to one of my favorite places where I write and draw, the dining area of the Safeway store in Orting, Washington. After I finished drawing my Health Capsules, I continued on toward Mount Rainier.

Several miles up the road I pulled over, parked my bike, then resumed my journey..."barefoot", on the scenic Orting-South Prairie Trail, which follows along the banks of the Carbon River. Going barefoot is the essence of earthing. But earthing doesn't work if you walk on asphalt, so I stayed on the grassy area beside the paved trail. I might add, as a neophyte to earthing, my feet don't handle cold ground in the late fall very well. Fortunately, you can also earth with moccasins on. I plan to buy a pair of moccasins.

The idea behind earthing: The earth could be described as an "electron sponge". It soaks up electrons from the sun's rays and from lightning strikes. All living things, including humans, require electrons for survival. Without them there would be no life on earth.

We get electrons in our daily diet from antioxidants, but we require more electrons than just those that we receive from our diet. We humans were designed to naturally take in electrons through the bottom of our feet by way of direct barefoot contact with the earth. But a few decades ago, when rubber-sole and plastic-sole shoes came on the scene, we lost contact with the earth. Rubber and plastic insulates us from the earth's electrons. We lost the benefits that we had derived from direct contact with the earth.

Walking barefoot on a daily basis offers a host of benefits. Among them: thinner, faster-flowing blood, relief from pain, lower blood pressure, calmer mood, and much more. It has even been called the most important health discovery ever. But what if you aren't able to walk barefoot through the winter with three feet of snow on the ground? There are ways of deriving the benefits from earthing while remaining indoors. For more information on earthing, indoors and out, watch this gripping documentary, called Grounded. Right now it's free on this web site, but it might not be free much longer. The DVD will cost $25:  http://articles.mercola.com/sites/articles/archive/2013/10/19/grounded-documentary.aspx?e_cid=20131019Z1_DNL_art_1&utm_source=dnl&utm_medium=email&utm_content=art1&utm_campaign=20131019Z1 

Another information source on grounding: http://www.townsendletter.com/May2010/earthing0510.html

Refueling the Tindenburg

CAN YOU FIND? A dozing dog? A pig? A drippy hose? A curious cat? A pair of sunglasses? A man who lost his hat? Kilroy? 

The year is 2192. Post-Apocalyptic North America would become known as the "Post-Tin Age". With automobile and airplane manufacturing at a standstill, transportation began to reemerge in the form of hand-made contraptions, patched together with rusty spare parts and scrap tin. The Tindenburg, or "Tin Zep One" was such an airship.

The Tindenburg was named in honor of a German dirigible from a past age: The LZ-129 Hindenburg crashed and burned in 1937, bringing to an end the Golden Age of Zeppelins, which flourished in the early 20th Century.

The Tindenburg lead the way in the revival of airships. Other zeppelins would follow until tin zeppelins dominated the Post-Apocalyptic skies.